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	<title>Comments on: Digital Music Futures and the Independent Music Industry</title>
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	<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/</link>
	<description>Musings about music, technology, mobility, and culture, by Jean Hebert.</description>
	<lastBuildDate>Mon, 19 Mar 2012 22:56:26 +0000</lastBuildDate>
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		<title>By: Le futur de l'industrie de la musique &#124; Michael Bergeron &#124; Regard sur l&#039;industrie de la musique</title>
		<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/comment-page-1/#comment-107538</link>
		<dc:creator>Le futur de l'industrie de la musique &#124; Michael Bergeron &#124; Regard sur l&#039;industrie de la musique</dc:creator>
		<pubDate>Tue, 16 Nov 2010 18:50:30 +0000</pubDate>
		<guid isPermaLink="false">http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/#comment-107538</guid>
		<description>[...] Le big four, le regroupement des 4 plus grandes maisons de musique au monde auront peine et misère à suivre la férocité du téléchargement illégal. Mais aussi, l’accessibilité grandissante de la musique indépendante. Avec les médias sociaux et les plateformes orientées sur la découverte musicale (Pandora, Grooveshark, Spotify, Last.fm, etc.), il n’est pas rare de voir monter dans les palmarès des artistes indépendants. De plus l’effet du piratage entrainera les « majors » à être davantage prudent concernant les contrats données aux artistes et ne voudront plus s’acquérir des artistes plus à risque qui demeureront avec les labels indépendants. Tout cela en considérant que ces derniers prennent de plus en plus de place sur le marché depuis les dernières années. [...]</description>
		<content:encoded><![CDATA[<p>[...] Le big four, le regroupement des 4 plus grandes maisons de musique au monde auront peine et misère à suivre la férocité du téléchargement illégal. Mais aussi, l’accessibilité grandissante de la musique indépendante. Avec les médias sociaux et les plateformes orientées sur la découverte musicale (Pandora, Grooveshark, Spotify, Last.fm, etc.), il n’est pas rare de voir monter dans les palmarès des artistes indépendants. De plus l’effet du piratage entrainera les « majors » à être davantage prudent concernant les contrats données aux artistes et ne voudront plus s’acquérir des artistes plus à risque qui demeureront avec les labels indépendants. Tout cela en considérant que ces derniers prennent de plus en plus de place sur le marché depuis les dernières années. [...]</p>
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		<title>By: Wiki &#8211; Music Industry &#124; Ray Andres</title>
		<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/comment-page-1/#comment-87533</link>
		<dc:creator>Wiki &#8211; Music Industry &#124; Ray Andres</dc:creator>
		<pubDate>Wed, 26 Aug 2009 16:09:16 +0000</pubDate>
		<guid isPermaLink="false">http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/#comment-87533</guid>
		<description>[...] [1]&#8220;Digital Music Futures and the Independent Music Industry&#8221;, Clicknoise, February 1, [...]</description>
		<content:encoded><![CDATA[<p>[...] [1]&#8220;Digital Music Futures and the Independent Music Industry&#8221;, Clicknoise, February 1, [...]</p>
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		<title>By: Commercial Whiplash: Nokia, carriers, and why Canada is still full of crap mobiles &#124; Clicknoise</title>
		<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/comment-page-1/#comment-56053</link>
		<dc:creator>Commercial Whiplash: Nokia, carriers, and why Canada is still full of crap mobiles &#124; Clicknoise</dc:creator>
		<pubDate>Wed, 03 Dec 2008 20:56:21 +0000</pubDate>
		<guid isPermaLink="false">http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/#comment-56053</guid>
		<description>[...] consists of any media creators. Rather, they&#8217;re probably scared of that prospect, just like the music industry is still scared of amateurs. This is why upload rates are typically throttled as compared to download rates, and it&#8217;s why [...]</description>
		<content:encoded><![CDATA[<p>[...] consists of any media creators. Rather, they&#8217;re probably scared of that prospect, just like the music industry is still scared of amateurs. This is why upload rates are typically throttled as compared to download rates, and it&#8217;s why [...]</p>
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		<title>By: Clicknoise &#187; Blog Archive &#187; P2P in Canada</title>
		<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/comment-page-1/#comment-24623</link>
		<dc:creator>Clicknoise &#187; Blog Archive &#187; P2P in Canada</dc:creator>
		<pubDate>Fri, 05 Oct 2007 20:56:33 +0000</pubDate>
		<guid isPermaLink="false">http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/#comment-24623</guid>
		<description>[...] of music hurts only a small fraction of musicians (mainly the big celebrities), and that trends in the ongoing reshaping of the music industry confirm this pattern. Hopefully, the messaging is [...]</description>
		<content:encoded><![CDATA[<p>[...] of music hurts only a small fraction of musicians (mainly the big celebrities), and that trends in the ongoing reshaping of the music industry confirm this pattern. Hopefully, the messaging is [...]</p>
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		<title>By: &#124; Is &#62; Than</title>
		<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/comment-page-1/#comment-24110</link>
		<dc:creator>&#124; Is &#62; Than</dc:creator>
		<pubDate>Wed, 26 Sep 2007 18:20:11 +0000</pubDate>
		<guid isPermaLink="false">http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/#comment-24110</guid>
		<description>[...] Nielsen Soundscan reports show that indie labels are commanding a larger percentage of the market. D... Via. - #A compendium of &quot;the weirdest/stupidest conspiracy theories of all time&quot;. A personal [...]</description>
		<content:encoded><![CDATA[<p>[...] Nielsen Soundscan reports show that indie labels are commanding a larger percentage of the market. D&#8230; Via. &#8211; #A compendium of &#8220;the weirdest/stupidest conspiracy theories of all time&#8221;. A personal [...]</p>
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		<title>By: Clicknoise &#187; Other Independents</title>
		<link>http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/comment-page-1/#comment-2102</link>
		<dc:creator>Clicknoise &#187; Other Independents</dc:creator>
		<pubDate>Thu, 01 Mar 2007 14:12:29 +0000</pubDate>
		<guid isPermaLink="false">http://clicknoise.net/digital-music-futures-and-the-independent-music-industry/#comment-2102</guid>
		<description>[...] And, no, I&#039;m not contradicting myself. The independent music sector is alive and well, though changing. The decline of indie record shops all over the UK (which is echoed in North America and elsewhere) is likely in some small way due to digital downloads, but I would think the greater factor in this decline has been the immense growth of giants like Walmart in this space. And there are signs that the decline of conventional indie distribution is in step with this trend. [...]</description>
		<content:encoded><![CDATA[<p>[...] And, no, I&#8217;m not contradicting myself. The independent music sector is alive and well, though changing. The decline of indie record shops all over the UK (which is echoed in North America and elsewhere) is likely in some small way due to digital downloads, but I would think the greater factor in this decline has been the immense growth of giants like Walmart in this space. And there are signs that the decline of conventional indie distribution is in step with this trend. [...]</p>
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